3 Days to Live Simulcast to Frost Amphitheater

Worked on more blocking today in Act 3.  Picking out my closeups carefully getting the most impact.  I Choosing the right camera and angle to tell the story is like making the right chess move.  At SF opera we have 11 cameras and 4 camera ops so everyone has at least 2 cameras at a time.  2 of the 11 are static.  It involves strategy and a little bit of juggling.